Differences

This shows you the differences between two versions of the page.

--- 3d:start [2024/10/16 22:03] – [Simple House] mh
+++ 3d:start [2025/09/08 13:14] (current) – mh
@@ Line 1: / Line 1: @@
 ====== 3D Modeling ======
-This section will document what I wish to keep handy regarding [[https://blender.org|Blender 3D]].
+I essentially do my 3D Modeling with **[[https://blender.org|Blender 3D]]** for now.
-===== Low Poly Workflow =====
+===== Sections =====
-Before starting a composition it is good practice to have some reference images and a rough sketch of where you want the final composition to go in terms of disposition and arrangement.
+  * **[[3d:modeling|Modeling]]**
-Start by boxing out the different elements with rough primitive shapes until you have your entire composition boxed out.
+  * **[[3d:geo-nodes|Geometry Nodes]]**
-Then take each element into finer stages of detail step by step, don't try to model the elements from box to final in one go.
+  * **[[3d:shading|Shading / Textures]]**
-Use loop cuts to add mesh (''CTRL + R'') but be wary of adding too much to stay in the low poly. Move individual vertices around a little randomly to give character.
+  * **[[3d:rendering|Rendering]]**
-Make good use of the Mirror Modifier and Solidify Modifiers to speed up workflow on basic shapes and apply them only when you want to break the symmetry and add finer details (destructive modeling). Scale can be applied on shapes (''CTRL + A'') but it is not mandatory and modeling can be done with scales other than (1,1,1).
+  * **[[3d:rigging|Rigging]]**
-Beams are useful elements on buildings to join parts together and hide overlaps.
+  * **[[3d:animating|Animations]]**
-Cut out windows and doors using the knife (''K'') tool in the base object. Then select the edges, duplicate and move them outwards, scale them down a bit, separate to make a new object, in that new object in edit mode extrude outwards and then add a solidify modifier. Take care that your normals are facing the right way. If you have mirrors not applied be sure to activate clipping so that the points on the mirror axes don't separate from each others when scaling down.
+  * **[[3d:grease-pencil|Grease Pencil]]**
-It's handy to start with a boxed shape then inset faces and extrude them and scale them down along the normal to get quick good looking volumes.
-Trees and landscapes can be sculpted with a finer mesh and then decimated using a modifier to bring them back down to Low Poly.
+===== Useful Add-ons =====
-Solidify + Decimate work well together to give jaggedy looks to objects and land parts.
+  * **Extra Meshes :** Gives access to more primitives in the Add Menu (**''SHIFT'' + ''A''**)
-Make good use of the proportional editing (''O'') tool.
+  * **Rigify :** Very handy for rigging humanoidss or basic animals
-Good practice : Duplicate elements using ''Shift + D'' and then detach using ''P''. (e.g. to detach a roof off a roughly boxed building)
+  * **Node Wrangler :** Provides useful tools for working with nodes
-Duplicate face loops and extrude along the normals towards the outside (e.g. to create pipe joints)
-Careful : Rotations in edit mode do not apply a transformation relative to global axes. It's better to rotate in object mode so the local axes are preserved.
-Once shapes have been modeled out, it can be handy to scale by the normals using ''ALT + S''
+===== Useful Tips =====
-N-gones are OK to model with as long as they are kept on a same surface. It is safer though to tidy things up with the knife tool to create quads and triangles. Blender converts everything to triangles to render anyways so tidying things up brings you closer to what Blender is actually seeing in your mesh.
+=== Quick Favorites ===
-If your mesh is chiseled looking and shaded differently because the quads and triangles are not on the same plane you can flatten things out by selecting all the concerned faces and scaling them to 0 along the proper axis.
+  * Right click on an item in the top menus of the viewport and select **Add to Quick Favorites** : makes them available in the Quick Favorites menu (**''Q''**)
-Useful tip : when using knife tool ''E'' starts a new cut elsewhere.
+=== Low Poly ===
-Careful when using mirror modifiers, if you move in object mode it moves both sides in the same direction along the given axis because it moves the object center around which the mirror is calculated. If you move in edit mode it moves the selection relative to the given axis effectively copying the move on the mirrored side.
+  * Solidify + Decimate modifiers work well together to give jaggedy looks to objects and land parts.
-When using shapes to cut out mesh in other shapes using the Boolean modifier it is handy to switch the viewport display of the shape being used for the cut into wireframe to see things better. This is done in the Object properties under Viewport Display tab. Don't forget to also toggle it off of the Render in that case.
+=== Setting Origin Point ===
-Don't forget to organize your scene into collections that are easy to manage. Unless you are in a workflow where other people will also work on your models in fine detail it is generally a big waste of time to rename each mesh object in your scene. Collections are there to organize your scene into meaningful elements that you can quickly hide/reveal and or select.
+  * In **Edit mode** set the 3D cursor to a selection (Vertex/Edge/Face) with **''SHIFT'' + ''S''** then in **Object mode** **''RIGHT CLICK''** and Set Origin > Origin to 3D cursor.
-For pavings its better to work with a plane and solidify modifier than with meshes as you don't have to worry about thickness ; don't forget to apply scales as the thickness will be affected by the changes in scale as you duplicate and randomize these objects.
+=== Applying to a multi-selection ===
-Grass and plants can be made easily with a few loop cuts along a plane and scaling ends down and rotating a bit the edges to get some variation.
+  * With multiple items selected in the Outliner, using **''ALT'' + ''LEFT CLICK''** on a parameter should affect all the selected items.
+===== To Sort and properly dispatch =====
-You can precisely reset the origin point to a vertex by selecting the vertex and setting the 3D cursor to the selection ''SHIFT + S'' and then setting the origin to the 3D cursor.
+//Everything below needs to be sorted out and included in the above sections.//
-You can create a quick long leaf plant by creating a leaf first. A loop cut down the middle bringing the vertices down will create a nice leaf-like bend on it. Then set the origin at the bottom. Then link duplicate the leaf (''ALT + D'') and rotate it 45°. Then ''SHIFT + R'' to repeat the duplicate 8 times so you fill the plant. Then give a bit of random variation to each leaf with scaling and rotating.
-At this point you understand the big difference between linked duplicates and non-linked duplicates : with a linked duplicate, you can still make changes in object mode that won't affect the other copies and still gives variation. This way you keep the possibility of editing the shape in Edit mode and having the mesh edit apply to all the copies. While non-linked duplicates can all be edited separately but do not have the easy fast modification applying to all copies.
-Poke faces is useful for creating a collection of triangles on a big N-gone like circle shape.
-Applying modifiers is really up to you and depends on if you need to edit the full mesh (in which case apply) to break symmetry
+Cut out windows and doors using the knife (''K'') tool in the base object. Then select the edges, duplicate and move them outwards, scale them down a bit, separate to make a new object, in that new object in edit mode extrude outwards and then add a solidify modifier. Take care that your normals are facing the right way. If you have mirrors not applied be sure to activate clipping so that the points on the mirror axes don't separate from each others when scaling down.
-Texture slots enable you to give different textures to different parts of a mesh. To do so, select the parts of the mesh and select another slot material and click assign.
-Eevee vs Cycles : Cycles is a Ray based renderer while Eevvee is a screen based renderer. Eevee tries to keep things as simple as possible and kind of flat while cycles is trying to be as realistic as possible. Eevee is a real-time renderer while cycles is more resource intensive and requires many samples to produce good results.
-Surfaces that are emissive will have a much better render in Cycles than in Eevee.
-When beveling you can press ''CTRL + B'' and then ''V'' to bevel a vertex and create a triangle face where the vertex was. Direct shortcut is ''CTRL + SHIFT + V''. When beveling vertices, use ''J'' to join opposite vertices that were created to re-triangulate the faces and correct the geometry.
+Careful : Rotations in edit mode do not apply a transformation relative to global axes. It's better to rotate in object mode so the local axes are preserved.
-===== Texturing =====
-Great places to look for textures :
+Once shapes have been modeled out, it can be handy to scale by the normals using ''ALT + S''
-  * [[https://polyhaven.com/|PolyHaven]]
-  * [[https://freepbr.com|Free PBR]]
+Careful when using mirror modifiers, if you move in object mode it moves both sides in the same direction along the given axis because it moves the object center around which the mirror is calculated. If you move in edit mode it moves the selection relative to the given axis effectively copying the move on the mirrored side.
-==== PBR materials ====
+When using shapes to cut out mesh in other shapes using the Boolean modifier it is handy to switch the viewport display of the shape being used for the cut into wireframe to see things better. This is done in the Object properties under Viewport Display tab. Don't forget to also toggle it off of the Render in that case.
-<WRAP round info>
+Don't forget to organize your scene into collections that are easy to manage. Unless you are in a workflow where other people will also work on your models in fine detail it is generally a big waste of time to rename each mesh object in your scene. Collections are there to organize your scene into meaningful elements that you can quickly hide/reveal and or select.
-**PBR** stands for **P**hysically **B**ased **R**endering : the materials react to the environment surrounding it in a physically realistic way.
-Use Cycles render engine for this.
+For pavings its better to work with a plane and solidify modifier than with meshes as you don't have to worry about thickness ; don't forget to apply scales as the thickness will be affected by the changes in scale as you duplicate and randomize these objects.
-</WRAP>
-----
+Poke faces is useful for creating a collection of triangles on a big N-gone like circle shape.
-=== Texture Coordinates ===
-For all the texture nodes use a **Texture coordinate** node (use output ''Object'') and a **Mapping** node (use input ''Vector''). Hook the output ''Vector'' of the **Mapping** into the input ''Vectors'' of the each texture images.
+Applying modifiers is really up to you and depends on if you need to edit the full mesh (in which case apply) to break symmetry
-If you have **Node Wrangler** add-on activated, the keyboard shortcut ''CTRL + T'' will automatically generate these nodes.
+When beveling you can press ''CTRL + B'' and then ''V'' to bevel a vertex and create a triangle face where the vertex was. Direct shortcut is ''CTRL + SHIFT + V''. When beveling vertices, use ''J'' to join opposite vertices that were created to re-triangulate the faces and correct the geometry.
-{{3d:pbr-texture-coordinates.png?}}
-Incidently, using **Node Wrangler** add-on you can select the **Principled BSDF** and use ''CTRL + SHIFT + T'' to open a bundle of maps and have them set-up as a Principled Texture.
-----
-=== Base Color ===
-Keep the diffuse image in ''sRGB'' colorspace but if your mapping on an object use a ''Box'' projection instead of ''Flat''.
-----
-=== Roughness ===
-For roughness use ''Non-Color'' colorspace and ''Box'' projection as well.
-----
-=== Normal ===
-For the normals use ''Non-Color'' colorspace and ''Box'' projection. Use a **Normal map** node to convert the output ''Color'' to the input ''Normal'' of the **Principled BSDF**
-----
-=== Displacement ===
-The displacement avoids the **Principled BSDF** and goes directly into the ''Displacement'' input of the **Material Output**. This is because the displacement actually affects the geometry of the object whereas the Principled BSDF affects the way it looks.
-Displacement must be activated in the Options under the ''Surface'' tab (choose : Displacement and Bump instead of Bump Only)
-Displacement works best when there are many polygons on the object (use of a **Subdivision Surface** modifier is advised) and adds a good bit of detail. The drawback is it takes a lot more processing power and it's use is not advised for games.
-----
-<WRAP tip round>
-__**Box Projection Method**__
-Box projection has the **advatage** of being quick to setup, works with modifiers (e.g. bevel) and automatically updates if you modify the shape (e.g. extrude).
-However, it **does not work** with a game engine, which require a proper UV Map (hence, we cannot choose the ''Object'' output of the **Texture Coordinate** Node).
-__**UV Map Method**__
-UV Map on the other hand requires to properly unwrap your object but once textured it can be exported easily to a game engine. The downside is you will see the seams, and there is no way to blend it so you should think carefully about where you place them, and keep your objects at a safe viewing distance. Another inconvenience is that you have to apply the modifiers for the seams to be set properly so it is slightly destructive.
-Both these methods however keep the advantage of being able to easily change the PBR texture.
-__** Texture painting **__
-You can also load an image into a texture brush and paint directly on the object. In which case, choosing a random tiling and a large brush along with isolated-click painting instead of strokes can result in a good looking object. One drawback is the object has no roughness and the texture looks a bit flat.
-</WRAP>
-In the case of texture painting, there is a way to add a bit of normals and bumpiness using the data from the image texture and a few color ramps as so :
-{{3d:bump-from-image.png?750}}
-==== Texture Atlas ====
-A texture atlas is a custom image combining many different textures all in one image. It has the huge advantage of asking the CPU/GPU to load only one image and pick all the textures for different objects from parts of that image. The inconvenience is that each texture will have a lower pixel resolution (being part of a greater image)
-==== Seamless textures ====
-Using seamless textures is useful as the texture will repeat itself when scaled without it being too noticeable at a glance. However, if you scale too much, a pattern will become visible as the texture repeats itself.
-There are two ways to scale :
-In the node editor, on the **mapping** node :
-{{3d:mapping-node.png?200}}
-In the UV editor, by scaling the unwrap. This second option is preferable if you are going to export your scene to a game engine as the UV unwrap (and it's scale) will be exported with it.
-{{3d:uv-edit-scale.png?200}}
-A handy feature of seamless textures is that they will continue applying if you modify your geometry. One good way to do this is with an edge slide (Shortcut : ''G'' + ''G''). If you want to edge slide beyond the existing geometry you need to remove clamping (Shortcut : ''C'' while edge-sliding).
-{{3d:clamping-removed.png?200}}
-----
-==== Procedural textures ====
-Procedural textures are created by using nodes instead of images or photographs to create a material. Basic texture nodes are mixed together (often with a **MixRGB** node) and the Color output is then used to give both roughness and normals to the material.
-{{3d:procedural-texture.png?800}}
-When creating textures with this method it's important to think macro-details and micro-details and mix them together. The ''Scale'' value of the basic texture nodes can be used to this effect.
-A rapid shortcut to create a mix node is to ''CTRL + SHIFT + RIGHT-CLICK & DRAG'' from one node to the other one that you want to mix.
-The procedural textures can be very easily tweaked and modified. They do not require much artistic skills as opposed to the //creation// of textures based on images and photographs (although those are often available for free or a small fee on many platforms online). One downside however is that these textures need to be baked to be exported to a game engine, although that is a minor downside as baking is often required when exporting to game engines anyways.
 ===== Scultping =====
@@ Line 196: / Line 98: @@
 Linking on the other hand imports a collection as a single object. Note that the origin point for that object will be the world origin from the original file, so if the collections are not centered on that world origin it will be offset when you link it. Also note that the link is not dynamic so any change made to the object in the original file will not update in the other project until the first one is linked again.
-===== Learning Parts =====
+===== Models =====
+==== Low Poly Cottage ====
-//These are a few 3D models I made following various tutorials to learn Blender.//
+Preview coming soon.
+[[3d:models:low-poly-cottage|Low Poly Cottage]]
 ==== Low Poly Well ====
@@ Line 206: / Line 111: @@
 === Recap ===
-  * Uses a bend modifier to create a circle with basic shapes.
+  * Modifier to create a circle with basic shapes : create a line of stones and **Modifier > Simple Deform > Bend (360°)**.
-  * Uses a nice simple low poly esthetic with bevels and moving a few vertices around
+  * Use a lattice to parent an object or group of object to follow modifications made to the lattice (bends and such)
-  * Shows the use of a lattice to parent an object or group of object to follow modifications made to the lattice (bends and such)
 ++++ Video Tutorial |
@@ Line 226: / Line 130: @@
 === Recap ===
-  * Use basic extrude (CTRL + Right Click) in Edit Mode to quickly get trunk and branches
+  * Quick extrude **''CTRL'' + ''RIGHT CLICK''** in **Edit Mode** to get trunk and branches
-  * Use the 'image as plains' addon to create a branch from an image with a transparent background
+  * Use **Image as plains** addon to create a branch from an image with a transparent background
   * Add a  particle system to multiply that branch using vertex group to focus it only on the branch and not on trunk + with a lot of random scale/rotate it gives a realistic impression
   * Texture the bark of the tree
@@ Line 244: / Line 148: @@
 === Recap ===
-  *Use the cell fracture add-on
+  *Cell fracture add-on
-  *Basic particle system use and how collections work instead of layers with that add-on
+  *Basic particle system
-  *Use basic mix shader materials with voronoi displacements
+  *Basic mix shader materials with voronoi displacements
-  *Use compositing node with backdrop to use a render image as a ghost to draw gas around the planet
+  *Compositing node with backdrop to use a render image as a ghost to draw gas around the planet
 ++++ Video Tutorial |
@@ Line 262: / Line 166: @@
 === Recap ===
-  *Introduces the use of integrated cloth animation to render cloth materials (let it drop and choose the keyframe where you find it to your liking)
+  *Cloth animation to render cloth materials (choose the frame where you like it)
-  *Also uses basic glass materials and basic lighting
+  *Basic glass materials and basic lighting
 ++++ Video Tutorial |
@@ Line 297: / Line 201: @@
 ===== Exercises =====
-==== Simple House ====
+[[3d:exercises:start|3d Exercises]]
-[[3d:exercises:simple_house|Simple House]]
@@ Line 306: / Line 208: @@
 === Mesh Editing ===
-  *''H'' / ''ALT + H'' : Hide / Unhide objects in object mode
-  *''ALT + S'' : Scale along normals in Edit mode
+  ***''ALT + S''** : Scale along normals in Edit mode
-  *''SHIFT + N'' : Rcalculate Normals
+  ***''SHIFT + N''** : Rcalculate Normals
-  *''O'' : Toggle proportional Editing ON/OFF
+  ***''SHIFT + D''** : Duplicate selection (unlinked)
-  *''CTRL + A'' : Apply menu to apply scales, rotations, etc.
+  ***''CTRL + B''** : Bevel (edges)
-  *''CTRL'' while moving objects : Applies snapping (if snapping is disabled) or disengages snapping (if snapping is enabled)
+  ***''CTRL + SHIFT + B''** : Bevel (vertices)
-  *''CTRL + X'' : Dissolve selection (Vertex/Edge/Face)
+  ***''O''** : Toggle proportional Editing ON/OFF
+  ***''CTRL + R''** : Add loop cut
+  ***''CTRL''** while moving objects : Applies snapping (if snapping is disabled) or disengages snapping (if snapping is enabled)
+  ***''CTRL + X''** : Dissolve selection (Vertex/Edge/Face)
+=== Object Mode ===
+  ***''CTRL + A''** : Apply menu to apply scales, rotations, etc.
+  ***''H'' / ''ALT + H''** : Hide / Unhide objects
 === Selection ===
-  *''CTRL + Right Click & Drag'' : Lasso select (according to object centers) in Layout Mode
+  ***''CTRL + Right Click & Drag''** : Lasso select (according to object centers) in Layout Mode
-  *''CTRL +/-'' : Select more / less of mesh (based on a first selection of faces or edges or vertices
+  ***''CTRL +/-''** : Select more / less of mesh (based on a first selection of faces, edges or vertices)
-  *''SHIFT + S'' : Cursor selection pie menu
+  ***''SHIFT + S''** : Cursor selection pie menu
+  ***''CTRL + Click''** : With a vertex selected will auto-select shortest path to the target vertex
+  ***''L''** : Select linked mesh (useful when hovering over meshes that intersect but are different objects)
 === Sculpting ===
@@ Line 324: / Line 236: @@
   *''SHIFT + R'' : See & Change Voxel Size of Remesh
   *''CTRL + R'' : Apply Remesh
+===== Ressources =====
+  * **[[https://www.youtube.com/@sinasinaie|Sina Sinaeie YouTube Channel]]**